Thursday, May 20, 2010
Photography: An Image a Day
It is doing exactly what I wanted it to do. I wanted to be forced, in a sense, to take photographs every day. When I signed up for the 365 Project – a photograph a day for 1 year – http://www.365project.org/ – that was the reason. I had been looking back through my photos from the winter and found that the days I shot something – anything – were few. As a photographer, that’s not a good thing. While on Flickr, I noticed that people had named their files “213/365” or something else that would indicate that this photo was part of a series. I searched and found this site where you upload a photo a day. It organizes into a calendar format if you wish and also can be viewed as a slide show on YouTube. It’s pretty cool really.
The upside is that you have to take a picture each day to post. The downside is that you have to take a picture each day to post.
Sometimes there’s not much to select from. Take Sunday for example. My choice of images from that day is sparse. That’s not to say that nothing happened. I did a lot of yard work and that was what I was attempting to document with my photos from that day, but I was tired, dirty and hungry. My hands ached from gripping tools and my camera was cumbersome. The shots I managed to get were badly composed and uninteresting. When I look back at it, though, I will know what I did that day: planted the garden.
Some days, well – so much to choose from that it takes me quite a bit of time to decide. Though I haven’t been doing this for very long, I do have a couple of months worth of images piled together to form a chronicle of my life. I tend to default to the photos that, although not always technically perfect photography, tell a story about the day. That’s the point, right? A chronicle of a year in your life.
It seems to me that it’s nearly metaphoric, this series of photos and their circumstances. Life is like that, some days there’s a lot going on and so much to choose from and other days, you just get by with what you can manage. Some days in my life, I feel incredibly creative, my mind running from image to potential image and I can’t focus fast enough. Some days I just float through and somehow get from the chaos of the morning to the calm of the evening and there’s not much change. Sometimes everything changes, yet it goes undocumented.
Assignments, whether self inflicted or dictated, make me view things a bit differently, constantly seeking the image I need. With this project, I look for the consummate photo that will tell all about my day, or a little about that moment, but nonetheless trigger a memory that without it, would fade into the crevices of my brain and be dispersed. My hope is that when I reach the end, whenever that may be, I will have a running documentary of the flowers I knew and the smiles I got and the things I’ve seen throughout the year.
May 13th 2010
Thursday, May 13, 2010
Photography: Emotion and perception
water balloons itchin' for a fight
“Please buy my Mom’s pictures. Each one of them is a great memory for us.”
My daughter wrote this note and put it in front of the baskets of matted prints and photo cards I was trying to sell at a crafts show last December. At first I was a little embarrassed, thinking it wasn’t professional. It probably isn’t professional to have a child’s handwritten sign begging people to buy my work. But she’s absolutely right. Each photo is a memory. Photographs evoke emotions from your viewers, too.
The other night I was visiting a friend, showing her my card catalog and telling her about my plans to sell the cards and prints in various local shops. I have been a photographer for over twenty five years. From the darkroom to digital, it seems that a camera has been my companion for the better part of my life. At last count, I have nearly thirty thousand digital images in my computer and many boxes of prints and negatives and slides. The number seems unbelievable, but the reality is that each image is a second of my life. My friend, as she was looking through my photographs, pulled them out as she sorted through, commenting on each. For each, I had something to add, my story of that moment.
One image she liked is of a lifeguard stand at the beach, on a stormy, gray sky day. When she pulled it out, I sighed – ugh – I don’t really like that shot. Every time I see it I think it’s too dark and dreary. But she said “Yes, but I’ve been on the beach on a day like that, many of us have.” And I remember that day. Joe and Nola and I had gone to Ferry Beach state park in Saco. It was late May, the day before my birthday. I wanted desperately to be in the sunshine on the beach, having just this small amount of time to spend there. My disappointment comes through in my feelings about the photograph. My friend has a different connection with the image, one of good memories walking with her mother on the beach on days like that. It’s one image but holds different emotions for both the photographer and the viewer.
Minutes after taking the shot of the lifeguard stand alone, Nola climbed up to it. I recall taking off her wet sneakers. She loves the beach, no matter what the weather, and cannot stay away from the water. As we were leaving, I spotted these blue chairs in the dune grass. This image is one of the ones I sell most. People seem to connect to two empty chairs, and I think that it’s more about the possibility of sitting with a friend and having a leisurely few moments. Or is that just my perception?
A photography instructor told me something about this that has clung to me as no other lesson about photography has. He told me that each individual who sees your photograph will see it through the eyes of their own experiences and quoted an unknown author.
“For me, photographs take their power from memory and emotion. A picture tells its own story, shaped by the mood or insights of the person you are at the time you see it. It becomes layered with the past and the present.”
Though not technically perfect, these are some of my favorite images because of the emotions I connect with them. When I look back on some of the images I have, seeing the other photos from that day can clarify my feelings about that particular image. One image captures one moment – that moment – and tries to tell a story. Each story is interpreted by the viewer through their own lens, the lens of their life and their experiences.
An evening at the Great Falls Balloon Festival in Auburn Maine gave me this neat shot of a team of balloonists trying to keep the balloon down. It also gave the a soaring balloon I used for this card, and I got this fun shot of Joe and Nola enjoying the time together.
Taken within a few hours of each other, these shots are part of a great afternoon we spend with our friends, Dean & Karen. First is a photo of Joe and Dean enjoy the view on Big Chick Hill in Clifton Maine, and later that afternoon, I took this shot of the velvety petunia's in Karen's windowbox at their home, while we barbequed bison steaks. So much more than purple flowers to me.
This is the postcard view of the ruins at Tulum, Mexico.
This is what's behind the scenes at the flea market near the ruins.
Guess which one I framed and hung in my home?
I love this sunflower shot. I photographed it at one of Nola's friend's house. Her friend Mickayla's dad grew some GIANT sunflowers last summer. I had to stand on tip toes to get this shot.
Certainly not technical perfection, I still love this shot of Nola at the end of the covered bridge on our day trip to Moosehead Lake. The sunshine and her happy walk make this photo for me. Add that to my memory of a really fun day with her and Joe and this is priceless.
I hope this illustrates how emotion colors the feeling of the image, even for the photographer.
My toes were in the sand as I stood to take this shot. This "secret" beach was ours alone for a while that day. We got caught in a Mexican downpour on our way back, just as we rounded that bend. As a photographer, do you ever disregard a photo that is a good image, but evokes uncomfortable emotions in you? Do you ever just fall in love with a shot that isn’t perfect but because of your memory of the moment, it becomes one of your favorites?
Here are some great quotes about the emotional aspect of photography and its connection to memories.
“You never know when you're making a memory.”
Rickie Lee Jones (American Singer and Song Writer)
“Photography, alone of the arts, seems perfected to serve the desire humans have for a moment - this very moment - to stay.”
Sam Abell
“Photography takes an instant out of time, altering life by holding it still.”
Dorothea Lange (American documentary photographer, 1895-1965)
“There is only you and your camera. The limitations in your photography are in yourself, for what we see is what we are.”
Ernst Haas
“Whether he is an artist or not, the photographer is a joyous sensualist, for the simple reason that the eye traffics in feelings, not in thoughts.”
Walker Evans (American Photographer. 1903-1975)
“Photography is a way of feeling, of touching, of loving. What you have caught on film is captured forever... it remembers little things, long after you have forgotten everything.”
Aaron Siskind
